News, Views and Careers for All of Higher Education
March 8, 2007
This afternoon, in a Congressional office building, Rep. Howard Berman (D-Calif.), chairman of the House of Representatives Judiciary Subcommittee on the Courts, the Internet, and Intellectual Property, will convene a public hearing about digital piracy on college and university networks. Berman is Hollywood’s man in Congress — literally! His Los Angeles Congressional district is home to many major movie and music studios.
Today’s hearing is the latest in a continuing Congressional review of digital piracy — both on and off college networks. Digital piracy — be it copy shops in Asia churning out thousands of counterfeit copies of CDs, DVDs, and computer software, or individuals downloading music, movies and software from the Internet — involves big bucks. A recent report by the Los Angeles Economic Development Corporation suggests that all forms of digital piracy and counterfeiting (including counterfeit clothing) cost Los Angeles area companies some $5.2 billion in lost revenue in 2005, and state and local governments $483 million in lost tax revenue. The development corporation reports that digital piracy and product counterfeiting cost Los Angeles 106,000 jobs in 2005.
There can be no posturing about the core issue: Copyright is a good thing. Copyright protects the rights of individuals and organizations that create and distribute music, movies, and other kinds of digital content and resources. Piracy is theft. Piracy is bad. Piracy is illegal.
That said, while there is no question that digital piracy — by copy shops or college students — is wrong, so too is the underlying assumption of today’s hearing: that college students are the primary source of digital piracy affecting the music and movie industries, and that campus officials are implicitly complicit in the illegal downloading done by college students.
Late last month, Cary Sherman, president of the Recording Industry Association of America and point person in the entertainment industry’s campaign to stem the tide of digital piracy, particularly among college students, sent a letter to some 2,000 college and university presidents, delivered via e-mail by David Ward, president of the American Council on Education. Sherman offered a pro forma acknowledgement that there has been some progress regarding “illegal file trafficking of copyrighted content on peer-to-peer (P2P) systems,” stating that the RIAA and others in the entertainment industry are “grateful for the proactive work of many institutions.” But Sherman’s letter also stated clearly that because “the piracy problem on campuses remains extensive and unacceptable,” the RIAA felt “compelled to escalate [its] deterrence” efforts, as reflected in a new wave of lawsuits under the Digital Millennium Copyright Act, announced earlier in February.
(Meanwhile, there’s also some back room speculation around Washington that Mr. Sherman and others in the entertainment industry would like Congress to deal with digital piracy in the long-delayed reauthorization of the Higher Education Act. Who knows: Perhaps violations of copyright law will join drug convictions as cause for students to be ineligible to participate in government financial aid programs?)
The RIAA’s February lawsuits and Sherman’s February 28 letter to college presidents appears to be the first phase of a spring offensive targeting college students and coercing campus officials. The firm but polite language of Sherman’s letter outlines “a reasonable role that college administrators can play” in stemming P2P downloading. The last page of Sherman’s four-page letter identifies four “ways to prevent/reduce student exposure to lawsuits and DMCA notices.”
The RIAA wants colleges and universities to (1) implement a technical network solution; (2) offer an online music service to students; (3) take disciplinary action against students; and (4) provide user education programs about copyright and downloading. Additionally, in his cover letter Sherman suggests that campus officials can “faciliate the [RIAA’s] new deterrence program by forwarding pre-lawsuit letters” to students and others with access the campus network to settle legal claims ahead of RIAA lawsuits
All this smacks of extortion. The RIAA’s proposed “remedies” represent an easily inferred threat to campus officials: Do as we “suggest” or we will sue your institution and hold you liable for the activities of your students.
The RIAA cites data that “college students, the most avid music fans, get more of their music from illegal peer-to-peer downloading than the rest of the population: 25 percent vs. 16 percent (percentage of total music acquisition from peer-to-peer downloading).” The RIAA claims that “more than half of college students download music and movies illegally.”
Some of this is simply a numbers game for press releases. The term “college student” generically applies to some 17 million Americans, ages 16-67, who take college courses. In this context, only a small proportion of the nation’s 17 million “college students” depend on campus networks for Internet access, and a far smaller number are downloading digital content. Yes, the downloading may be illegal, but the RIAA’s numbers don’t document some 8.5 million students engaged in illegal P2P activity.
While traditional college students who depend on campus networks for Internet access may, as the RIAA claims, get more of their music from P2P downloading than the general population, the size of the denominator of this college student population — perhaps some 2 to 2.5 million full-time undergraduates who reside in college dorms and who depend on campus networks for Internet access — pales when compared to the tens of millions of consumers who purchase broadband services from cable and telecommunications companies such as AT&T, Comcast, Earthlink, TimeWarner and Verizon.
The real numbers suggest that the RIAA has lost sight of the hemorrhaging of digital content via consumer broadband services as it focuses its legal campaign and PR efforts on college students. (In 2005, concurrent with the Supreme Court’s Grokster decision, a billboard in Los Angeles promoting SBC/Yahoo’s DSL service used the tag line “faster downloading of music, movies and stuff.” Of course the billboard did not say anything about how to pay for “this stuff.")
Additionally, the RIAA’s numbers on “John Doe” lawsuits filed in 2004 and 2005, culled from its own press releases, indicate that college students accounted for just 4 percent (329) of the more than 8,400 “John Does” targeted in RIAA filings. In other words, “consumer piracy” represents a far greater threat to the music industry than does the admittedly inappropriate and illegal downloading and file sharing activity of college students on campus networks. Moreover, while the RIAA’s February 28 news release asserts that “college students are the most avid music fans,” the RIAA’s 2005 Consumer Profile reveals that college students (ages 18-24) account for approximately a sixth (roughly 15-17 percent) of the music buying population; in contrast, consumers aged 25 and older purchase two-thirds (66.9 percent) of all recorded music.
Sherman asserts that while “many schools have worked with [the RIAA] to recognize the [P2P] problem and address it effectively … a far greater number of schools … have done little or nothing at all.” Not so! Data from the fall 2006 Campus Computing Survey indicate that the vast majority of colleges and universities have acceptable use policies to address copyright issues and digital piracy. A small but growing number of institutions are following the Cornell model of requiring network users — students, faculty, and staff — to complete an online user education tutorial about copyright, P2P, and acceptable use policies before they gain access to their campus e-mail accounts and the university network.
And many institutions punish students for inappropriate and illegal P2P activity. Poking fun at both campus officials and students, a 2003 “Doonesbury” cartoon highlighted the efforts of campus officials to pursue “digital downloaders.” More importantly, this past week the Educause CIO online discussion list has had an active conversation among campus officials about sanctions their instituitons impose for DMCA violations. In contrast, consumer ISPs provide no active user education on the P2P issue and do little or nothing to address digital piracy.
These numbers notwithstanding, the RIAA has not pursued consumer broadband providers on the copyright/downloading issue. When I raised this issue with an RIAA official in fall 2004, I was told, in essence, that the consumer broadband providers view litigation as a cost of doing business, while, in contrast, the RIAA knows that colleges and universities, when presented with the threat of litigation, will “jump.”
The RIAA’s continuing — and seemingly exclusive, if not myopic — focus on college students as the primary source of digital piracy stands in stark contrast to the activities of its European affiliate. On January 17, the London-based International Federation of the Phonographic Industries threatened action against consumer broadband Internet Service Providers (ISPs) if they failed to move against users who illegally download digital content. Yes, the RIAA has sued individuals who used consumer broadband services to download or distribute digital content illegally. However, even as the illegal downloading and distribution on consumer networks presents a greater threat to digital content than the inappropriate P2P activity occurring over campus networks, the RIAA seems to focus its major PR (and Congressional) efforts on college students.
The campus community has been largely silent in response to the RIAA’s continuing PR assault. Yes, we in the campus community do care about copyright: the Association of Governing Boards of Colleges and Universities’ list of “Top 10 Public Policy Issues for Higher Education in 2005-6” cites intellectual property as a key policy issue for campus officials, noting that “respect for intellectual property — created as part of faculty research and teaching or provided as commercial content by the information and entertainment industries — will help institutions maximize and protect their own resources.” And yes, sadly, an occasional campus official has offered up unfortunate (if not just plain dumb) public comments about P2P on campus networks, saying that they don’t consider it a top campus IT priority.
Of course, no college president condones piracy. Still, it is discouraging, but not surprising, that college presidents have not been willing to challenge the RIAA’s PR campaign. Several have offered up their names and the prestige of their institutions to support the RIAA’s PR efforts. To date, however, none have stepped forward to state firmly that while their institutions are addressing digital piracy via user education and student sanctions, they also will not submit to the bullying tactics of RIAA officials.
Let’s be clear: I’m not condoning digital piracy. I’m on record in a variety of forums and published articles, spanning two decades, that copyright matters. Campuses and college students are an admittedly easy target for the music and movie industries concerned about digital piracy. But we are the wrong target. We in the campus community are doing more about P2P and digital piracy — and doing it far better — than the consumer broadband ISPs that provide Internet service to more than 45 percent of American households (more than 35 million homes and small businesses).
The RIAA’s singleminded focus on college students — and easily inferred threats to campus officials — misses the larger issue: Digital piracy is a consumer market problem, not simply a campus issue.
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forum, at 6:10 pm EDT on September 2, 2007
Thanks for very interesting article. I really enjoyed reading all of your posts. It?s interesting to read ideas, and observations from someone else?s point of view? makes you think more. So please keep up the great work.
All the bestSerdar
forum, at 2:05 pm EDT on September 5, 2007
I suspect the amount of “lost revenue” is really speculative. If illegal downloading completely disappeared, the industry would not realize a windfall. A large amount of illegal downloading is “try before your buy” consumer behavior. If there ain’t no tryin’, there ain’t no buyin’.
forum, at 5:40 am EDT on September 11, 2007
Totally agree – I think the RIAA’s strategy is to hit individual markets in a blind effort to somehow prove that they are serious. They’ve got to hit SOMEONE, because the record companies and production houses are breathing down their necks. So, to safeguard themselves, they pick on someone. The truth is that the record companies etc. ought to find new business models to take care of this threat. Most of us don’t want to buy CD’s anymore – unless it’s our favorite favorite band, or the cover art is amazing, or we just want to have the CD for that album because it’s cool to have it (similar to why it’s cool to have some records.) But most of our music ought to be downloadable, at a decent price. The problem is that they’re just too scared to adopt a new model in a hurry, and artists themselves like Radiohead recently (where you can download their album and pay whatever you want) and Madonna (who has switched from a record company to a tour company instead) are coming to the forefront again (something the record companies DON’T want – artists who can decide what to do with their music.)
shopping, at 5:25 am EST on November 8, 2007
I really can’t blame people for seeing things in the same way as yours – blaming college students for the rampant piracy. Procedures involved in burning licensed materials and even hacking are taught in schools. Teachers are even impressed by students who are genius enough to hack or to steal electronic files. If there’s a move to completely eradicate or to even minimize the spread of piracy, I guess we should start at schools.
pet portrait, at 5:30 am EST on December 13, 2007
I’d like to see how the LDEDC came up with their “lost” revenues and jobs numbers. Did they fabricate a number of alleged illegal downloaded tracks times 99 cents? Did they count the total number of jobs that have left the music industry and blame downloading without calculating other causes?
I suspect the amount of “lost revenue” is really speculative. If illegal downloading completely disappeared, the industry would not realize a windfall. A large amount of illegal downloading is “try before your buy” consumer behavior. If there ain’t no tryin’, there ain’t no buyin’.
As a consumer of popular music, I have a choice to travel to a CD store or download music. I want the convenience of downloading music, but I don’t see any value in paying $9.99 for the digital equivalent of what I can buy in the store for $9.99. Honestly, I don’t see added value because I download from home and not have to spend time and gas driving to Best Buy. And neither do any other consumers, apparently.
Any other business would talk to their customers, find out what they want, and deliver it. But the music industry refuses to talk to their customers. The solution to illegal downloading is very simple: lower the price of legal downloads. Find out what consumers are willing to pay, and set your price accordingly. Music labels may take a loss for a while, but that is the cost of changing consumer behavior patterns. Once consumers began seeing the value of paying for dowloads (easier accessibility and quality), music labels can begin increasing the price to a level of profitability.
Don’t these folks have MBAs working for them?
Tom McCool, at 8:00 am EST on March 8, 2007
As Interent Service Providers, colleges are obliged by law to take action. However, the RIAA recommendation of “disciplinary action” against students is wholly inappropriate. After all, commercial ISPs can’t have their customers thrown out of college or punished beyond cutting off service and giving their names to the RIAA. Copyright violation is a civil complaint, and colleges should never take disciplinary action against students for such legal disputes. Colleges should make it clear that students won’t be putting their academic careers in jeopardy for taking on the RIAA.
John K. Wilson, at 8:30 am EST on March 8, 2007
Casey’s phrase “All this smacks of extortion.” describes the RIAA’s actions to a tee. Unfortunately the RIAA is not about protecting artist’s rights rather it is a supporter of protecting the people who bring you the artists. With all sorts of new kinds of ways to bring people legal music (and copyright is a good thing) the RIAA is like all other Luddite efforts — doomed to failure. Good Riddance!
Jonathan Brown, President at AICCU, at 8:45 am EST on March 8, 2007
The RIAA is even willing to mislead people, or does it amount to a “lie"? Judge for yourselves:
In one of their brochures they say “A legitimate Compact Disc (CD) is factory pressed and will have a silver underside.”
So they are saying that when my brother records his country music combo and burns the CDs on his computer that the product is *illegitimate*!
I’m not making this up — see p 1 of http://www.riaa.com/issues/piracy/identificationbrochure.pdf
Actually worth reading is an ALA brochure on fair use, etc. available at www.knowyourcopyrights.org
Henry, at 10:50 am EST on March 8, 2007
Ya know, I remember a day in the misty past when one could buy an LP, make a cassette tape of it, and give it to one’s friends or relatives, all free from fear of prosecution from the RIAA, as long as I did not charge anyone for the tape. My friends andI tradedmix tapes al the time, which is how we discovered new songs and new bands, even new styles of music. When we found something we liked, we would search out the LP or casette and purchase it. Wonderful system. But if I want to trade songs with someone via the Web, that is illegal piracy. Sorry, i do not see any difference at all. The courts ruled many years ago that once a person purchases a record, it is theirs, and if they want to trade tapes with friends, that is their business, so long as neither party is profiting financially from the trade (wish I could remember the exact case and ruling). Why does that case ruling not appy now? I have no knoledge of it being overturned or modified. Anyone know?
Personally, I do not think the RIAA has a legal leg to stand on. I have noticed they have not had a jury decide on any of this (to my knowledge).
Warrn Kritsensen, at 12:05 pm EST on March 8, 2007
Looks more like a protection racket than extortion to me.
These letters essentially say “give me $3,000″ (in general). The RIAA is able to demand this money from anyone. The alternative? See you in court. Court costs + attorney’s fees? $3,000 may seem cheap.
If you get a letter, what are you going to do? Hire an attorney? Even if you could, can you afford to continue a court battle (possibly in another state) if you lose in round one? Do you have time to fight it while working and/or going to school? Do you understand how the system works?
By targeting the 18-24 yo campus population, I think the RIAA has selected a smaller but more vulnerable population that is far more likely to just give the RIAA $3,000 than the general population.
The cynic in me says that it’s not about stopping illegal downloads; it’s about generating revenue for the RIAA. If I could send out a couple thousand letters that said “Give me $3,000, or else I’ll break your kneecaps, I mean, I’ll make you defend yourself in court at a high cost” — well, it’s a lot easier than working.
Debbie Carraway, at 10:55 am EST on March 9, 2007
If you want to see this behavior stop immediately, don’t boycott riaa, boycott Sony and any other riaa affiliated companies.It won’t take long for this to work. Criminalizing individual citizen’s day to day behavior is bad public policy. It leads to contempt for the law. I hope the politicians responsible for this pay a high price as well. The public is way too tolerant of this crap from the riaa.
bc, at 8:30 pm EDT on March 12, 2007
Under intense scrutiny and mob like strong arming from RIAA, you’ve said all the appropriate things in deference to the scrutiny and in defense of colleges and students. But you’ve missed the opportunity to turn the tables to the larger issue, the corporate piracy that limits profits to artists, monopolizes content, and institutionalizes corporate profit under the rubric of “copyright protection". Colleges and universities as purveyors of “higher learning” perhaps need to define whether that includes independent, free thinking and full support for the exercise of creative and artistic endeavors, including the use of new technologies to weed out those institutions not relevant, indeed a distinct roadblock, to the creative process. The Stone Age, corporate mentality of RIAA is not for the benefit of the creators but for the benefit of the middle men.
unmask911, at 1:45 pm EDT on March 18, 2007
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Don’t these folks have MBAs working for them?
Edebiyat, at 6:05 pm EDT on August 25, 2007